Monday, June 22, 2009
Kill boredom
The stock market swing
Thursday, June 18, 2009
Hava Nagila...
Sunday, June 14, 2009
An interesting encounter
Finally I broke the ice asking about his familiarity with the route. He replied something carelessly and started cursing the traffic with an Arabic accent. I realised that the traffic was the culprit of his annoyance. After moments of silence, he started asking about my native country, how I landed up here,etc...and started narrating his story. He is a Palestinian software engineer, who fought in Yassar Arafat's army, who got sick of wars and homicide, moved to America for a peaceful life. A father of doctor & engineer sons and a daughter who is a teacher. He laughed saying that he had one wife; a surprise! He was working on the data warehousing platform of a well-known American pharmacy.
Then why become a cab driver? It did not surprise me because in developed countries retired men who own a decent car, work part time as cab drivers and rent their cars. A fixed sum will be paid to the cab company everyday who in turn gives the addresses of callers. May be these men drive for joy or for a living or for some pocket money or just to be active!
I could see the pride in his eyes when he said he owns a BMW Z4. He gave his card and informed that he will take people in BMW if they call him directly and not through the cab company; at little premium! Not a bad deal!
I was flabbergasted to learn that his father is still alive owning 4 six storied apartment complexes in Palestine. Retired from Palestinian navy, he is currently a maritime agent.
I was perplexed whether to believe him or not but sure he had no intention of lying or boasting his pride. Nor was he narcissistic.I felt truth when he talked about his joint family, beloved wife and children.I was moved by his concern when he gave hand sanitizer and warned about swine flu. He denied the tip I gave, saying that he drives for fun. Nevertheless, he made my journey fun and memorable with his stories.
Eventually he smiled and bid goodbye. He is flying back home for his daughter's wedding. His golden tooth sparkled in the sun.I should call him one day for a BMW ride !
Tuesday, June 9, 2009
Melakartha Raga index (Continuition to my previous post)
A raga is defined by its aarohanam (ஆரோஹணம்) and avarohanam( அவரோஹணம்) which is nothing but the boundary of the raga from its lowest to highest swara.
E.g. Mohanam is defined as:
Aa : Sa Ri Ga Pa Dha Sa (Lowest to highest swara)
Ava: Sa Dha Pa Ga Ri Sa (Highest to lowest swara)
It is not necessary that aarohanam and avarohanam needs to have same swaras in the reverse order.
The following table shows some numbers assigned for each Sanskrit syllable.
If you closely look at each row, they follow the similar pattern in our Tamil/Hindi alphabets.
Row 1: ka, kha...til nya
Row 2: ta,tta till na...so on and so forth
So this is known as "KaTaPaYa"dhi Sankhyay( கடபயாதி ஸாங்கியை named after the first syllable in each row.
Now,
1.Pick out a melakartha raga from the list below E.g. Nattabhairavi
2.Refer திindex value of its first two syllables in the above table. For Nattabhairavi - 0 for Na and 2 for ‘tta’
3. Now interchange the numbers assigned to the syllables. It is 20 in this case; hence the raga’s number is 20!
So meet you soon in my next post with another interesting topic!
Melakartha Raga Index:
1 Kanakangi
2 Ratnangi
3 Ganamoorti
4 Vanaspati
5 Manavati
6 Tanarupi
7 Senavati
8 Hanumatodi
9 Dhenuka
10 Natakapriya
11 Kokilapriya
12 Roopavati
13 Gayakapriya
14 Vakulabharanam
15 Mayamalavagowla
16 Chakravakam
17 Sooryakantam
18 Hatakambari
19 Jhankaradhwani
20 Nattabhairavi
21 Keeravani
22 Kharaharapriya
23 Gourimanohari
24 Varunapriya
25 Mararanjani
26 Charukesi
27 Sarasangi
28 Harikambhoji
29 Dheerasankarabharanam
30 Naganandini
31 Yagapriya
32 Ragavardhini
33 Gangeyabhusani
34 Vagadheeswari
35 Sulini
36 Chalanata
37 Salagam
38 Jalarnavam
39 Jhalavarali
40 Navaneetam
41 Pavani
42 Raghupriya
43 Gavambodhi
44 Bhavapriya
45 Subhapantuvarali
46 Shadvidhamargini
47 Suvarnangi
48 Divyamani
49 Dhavalambari
50 Namanarayani
51 Kamavardhini
52 Ramapriya
53 Gamanasrama
54 Viswambhari
55 Syamalangi
56 Shanmukhapriya
57 Simhendramadhyamam
58 Hemavati
59 Dharmavati
60 Neetimati
61 Kantamani
62 Rishabhapriya
63 Latangi
64 Vachaspati
65 Mechakalyani
66 Chitrambhari
67 Sucharitra
68 Jyotiswarupini
69 Dhatuvardhini
70 Nasikabhusani
71 Kosalam
Some mathematical gimmicks in Carnatic music
‘Sruti matha, laya pitha’ is the crux of Carnatic music .It means the drone and rhythm are mother and father to music. Subduing sruthi and laya is required to master the art.Carnatic music expresses these two by the way of Raga and Tala respectively.
Raga:
A Raga is a sequence of swara/sound. There are 7 swaras in Carnatic music known as Saptaswara ("Sapta" means seven in Sanskrit) which stand for:
- Sa -Satjamam
- Ri - Rishabam
- Ga - Gandharam
- Ma - Madhyamam
- Pa - Panchamam
- Dha - Dhaivadham
- Ni- Nishadham
*Ri & Ga have 3 variants which are indexed as R1,R2,R3 and G1, G2, G3. Similarly Dha & Ni have 3 variants - D1, D2,D3 and N1,N2,N3. (Each variant has tongue twisting sanskrit names which I have ignored here for the sake of convenience)
*1-3 being biggest to smallest sound
*Ri,Ga,Ma,Pa,Dha,Ni are in ascending order of sound
Group I :R1,R2,R3, G1,G2,G3
Group 2: M1,M2
Group 3:D1,D2,D3,N1,N2,N3
*(Ri-R,Ga-G,Ma-M,Dha-D,Ni-N)
Each raga has the following qualities:
1.It has all 7 swaras
2.Within a group, the succeeding swara cannot have a smaller sound than its predecessor. E.g. N1 cannot follow D2 or D3. Likewise G2 cannot follow R3.
3.The swaras have to follow the regular sequence – Sa Ri Ga Ma Pa Dha Ni Sa and Sa Ni Dha Pa Ma Ga Ri Sa
4.Each raga can have either M1 or M2
And so,
Group I can possibly have 6 combinations:
(i)D1, N1
(ii)D1,N2
(iii)D1,N3
(iv)D2,N2
(v)D2,N3
(vi)D3,N3
Similarly, Ra & Ga will have 6 combinations.
Putting all these together,
1 (of Sa) x 1 (of Pa) x 6 (1 of the 6 combo of Ri & Ga) x 6 (1 of the 6 combo of Dha & Ni) x 2 (1of M1& M2) = 1x1x6x6x2=72 melakartha ragas